On The Pages of the Seaopen.substack.com by Anne Hawk
Toby Litt
Writer. Activist. Head of Creative Writing at Southampton University.
On Performative Vulnerabilityopen.substack.com for Self and Others
On Pattern in Writingopen.substack.com Is there Such a Thing?
On What's Worth Looking Atopen.substack.com and What Isn't
On Background Noiseopen.substack.com as Distraction
On Free Indirectopen.substack.com Narration or Speech or Discourse (Part 1)
On the Desktopopen.substack.com Such a Strange Dated Place
On Making the Reader Cryopen.substack.com and Meaning To
On Exclamation Marksopen.substack.com Nailing Them
On Ten Thousand New Lee Child Novelsopen.substack.com and then Another Ten Thousand
On Exclamation Marksopen.substack.com Nailing Them
On Daley Thompson's Life Adviceopen.substack.com A Personal History
On Going Back into the More Distant Past from the More Recent Pastopen.substack.com The Pluperfect
On the Seven Deadly Sinsopen.substack.com of Writing
The Complete Guide to POVopen.substack.com Third person plural future tense
On Writing a Very Flat Story Using Only the Letters Without Ascenders and Descendersopen.substack.com a c e i m n o r s u v w x z
On Writing a Story Based on a Paradoxopen.substack.com and Spies
On the Subtle Differences Between the Definite and Indefinite Articlesopen.substack.com 'The' and 'A'
On Writing a Story that Can Be Read Backwards as Well as Forwardsopen.substack.com A palindrome
On Writing Only with Alternating Vowels and Consonantsopen.substack.com Japanglish
On Writing a Story that Can Be Read Backwards as Well as Forwardsopen.substack.com A palindrome
On the Subtle Differences Between the Definite and Indefinite Articlesopen.substack.com 'The' and 'A'
On Writing a Story Based on a Paradoxopen.substack.com and Spies
On Creative and Critical Writingopen.substack.com and Trying to Do Both
On Telling a Story Without Using any Verbsopen.substack.com A Very Difficult Writing Challenge
On Creative Writing PhDsopen.substack.com Pros But Also Cons