Uncaring and ubiquitous / Esteem shovelflaminghydra.com Today: Tom Scocca, editor of Indignity; and Laurie Woolever, author of Appetites, World Travel, and Bourdain: the Definitive Oral Biography
Issue No. 119
A World Built for House Sparrows
Tom Scocca...
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A World Built for House Sparrowsflaminghydra.com by Tom Scocca
The house sparrow is not an interesting bird. That may have been what finally caught my attention: how hard it was to pay attention to them. Their little drab forms are everywhere—I s...
Uncaring and ubiquitous / Esteem shovelflaminghydra.com Today: Tom Scocca, editor of Indignity; and Laurie Woolever, author of Appetites, World Travel, and Bourdain: the Definitive Oral Biography
Issue No. 119
A World Built for House Sparrows
Tom Scocca...
No, No, I Didn't Expect You to Remember the Underminerflaminghydra.com Why would you?
Flaming Hydraflaminghydra.com a collective of 60 writers, on fire and hard to kill
The face of terror / When rats ran rampantflaminghydra.com Today: Miles Klee, author of the novel Ivyland and culture writer at Rolling Stone; and Harry Siegel, senior editor at THE CITY, co-host of the FAQ NYC podcast, and columnist at the New York Daily New...
The face of terror / When rats ran rampantflaminghydra.com Today: Miles Klee, author of the novel Ivyland and culture writer at Rolling Stone; and Harry Siegel, senior editor at THE CITY, co-host of the FAQ NYC podcast, and columnist at the New York Daily New...
The face of terror / When rats ran rampantflaminghydra.com Today: Miles Klee, author of the novel Ivyland and culture writer at Rolling Stone; and Harry Siegel, senior editor at THE CITY, co-host of the FAQ NYC podcast, and columnist at the New York Daily New...
Divine Provenance at the Metflaminghydra.com by David Moore
On November 3, 1933, a front-page, above-the-fold New York Times story announced that the Metropolitan Museum of Art would open an exhibition, that very day, of “a small diptych” that ...
Toys “ЯNT” Usflaminghydra.com by John Saward
In late June, Toys “R” Us premiered a commercial generated using a text-to-video artificial intelligence model.
The ad opens with the exterior of a bicycle shop, sometime in the 1930...
Taiwanese Movies Get Too Familiarflaminghydra.com by Brian Hioe
The art of filmmaking requires a mind-boggling aggregation of effort and resources. Me? To write something, I just sit in front of a computer. I don’t need to hire actors or staff, or...
Mœbius and the Art of the Inescapableflaminghydra.com by Sam Thielman
“There’s no escaping yourself,” the French artist Jean Giraud observed; thus his principal pseudonym, Mœbius. And no one else can escape Mœbius, either—neither his eminent admirers,...
Google’s Algorithm Is a Dark Continentflaminghydra.com by Jídé Salawu
On June 23, 2024, the account Google in Africa (@googleafrica) on the service formerly known as Twitter posted the following message:
Here’s Africa’s most common game. No it’s not h...
The Museum of Biologyflaminghydra.com by Ben Ehrenreich
I tried to write something about the genocide now underway and the one that is being used to justify it, the one in whose shadow I grew up, but the attempt dropped me into a hole ...
Divine Provenance at the Metflaminghydra.com by David Moore
On November 4, 1933, a front-page, above-the-fold New York Times story announced that the Metropolitan Museum of Art would open an exhibition, that very day, of “a small diptych” that ...
Frame and reputationflaminghydra.com Today: David Moore, co-founder of Sludge.
Issue No. 117
Divine Provenance at the Met
David Moore
Divine Provenance at the Met
by David Moore
On November 3, 1933, a front-page, above-the-fold ...
Frozen animalsflaminghydra.com Today: Ben Ehrenreich, author of Desert Notebooks and The Way to the Spring.
Issue No. 116
The Museum of Biology
Ben Ehrenreich
The Museum of Biology
by Ben Ehrenreich
I tried to write someth...
Mœbius and the Art of the Inescapableflaminghydra.com by Sam Thielman
“There’s no escaping yourself,” the French artist Jean Giraud observed; thus his principal pseudonym, Mœbius. And no one else can escape Mœbius, either—neither his eminent admirers,...