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With all the comic news yesterday I feel like this got ignored. Larry Hama has been struggling with medical problems and, from what I’ve gathered, still really depends on gigs to survive financially. His ability to draw is being taken away. He’s a living legend and badass. Deserves better.
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There are plenty of stories about Larry to point out his impact on the industry but this one from Christopher Priest really shows the environment he faced head on and how cool he was while doing it. One of those guys who deserves more than the comic industry has given them and just hope he can relax
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"black hands jokes"? WFT?
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Here's more context for that. Lots can be said about how what we see here isn't as far removed as people want to think, but yeah, wild stuff. postcardsfromspace.tumblr.com/post/6088094...
As an intern for Marvel in the late 70’s, racist jokes were routinely, as in every day, thrown my way. By white intellectuals, By people who did not regard themselves as racist and did not regard their remarks as racist simply by virtue of the fact they were the ones making them. Marv Wolfman routinely had me making multiple xeroxes of Gene Colan’s gorgeous pencils for TOMB OF DRACULA, and, after a few passes, the pencil graphite would be all over my hands. Several staffers, some who are still in the Marvel offices today, would pick my hand up and show the graphite-covered hand to the bullpen while exclaiming, “Hey— your hands are black!” (Marv never did this, by the way. In fact, Marv rarely came out of his office. I started to think he WAS, in fact, Dracula). I was the office mascot. The little black kid. The co-key operator for the Xerox machine (with John Romita, Jr., who enthusiastically relinquished the top slot to me). My how liberal we are. Jim, go grab this, “In a jig.” Staffers, some still in the biz, used to come by and rub my head “for good luck.” One staffer kept little jigaboo figurines on his desk: warped, offensive little gnomes in white face eating watermelon. Denys Cowan stole one off of this guy’s desk and gave it to me as a Christmas present. I keep it on my desk here to remind me some of these people still work there… I didn’t know Larry Hama when he suddenly became my boss on CRAZY Magazine in 1980, but I had been warned that he was, indeed, the best man for the job because he was thoroughly nuts. “Two-Gun” Hama, as he was called behind his back, arrived at Marvel and, like Denzel Washington in Training Day, immediately went about turning my life upside down. Hama has had the most profound and lasting influence on my life, my sense of self, and my sense of honor and morality. He is the most important father figure in my life, and I am most grateful to God for the years we struggled together in that tiny office at Marvel. The first thing Hama did was build himself a bunker. Steel flat files cases and a drawing easel were arranged in such a way that people passing by the office could see me but not him, and had to stop and deal with me before they dealt with him. He installed red gels in the overhead light grilles, which gave our office a hellish tint and made the mood even more off-putting and less inviting to the rubes. EPIC ILLUSTRATED’s Peter Ledger painted Larry’s office phone bright red and molded little icons all over it, and Larry played Jefferson Starship and The Ramones as he held court with the likes of Bobby London, Mary Wilshire, Heidi MacDonald, Shari Flannigan and other top artists from NATIONAL LAMPOON and other humor magazines. First day on the job, Larry took me to lunch to explain the New Deal to me. Before his arrival, I had been paid twenty-five dollars a month (yes, a month) to be Paul Laiken’s assistant on CRAZY. Larry was incensed that Marvel had allowed this, and immediately gave me a raise to a whopping $400 per month, which, for a nineteen year-old, was a good deal. Larry later worked to get me on staff (I was, officially, a freelancer), and soon I was making an actual salary, with benefits and so forth. At the restaurant, as we waited for an open table, a lovely blonde and her lunch companion stepped past us, and the host appeared and began to seat them. Hama objected, politely— we were here first, and the host quickly sat us instead. Hama sat at the table, removed his mirrored aviators, and said, “Jim— never let the white man take advantage of you.” And, I guess, that’s when it hit me: Larry was Japanese American. A guy many people sidled up to and spoke loudly and slowly, hoping he could understand them. Larry was a Hollywood actor, having appeared in many films. His diction was perfect, and he spoke English better than I did, and in as many dialects as he wanted to. Larry suddenly made my world make sense. Suddenly, somebody at Marvel had my back. Staffers were much less likely to rub my head or make the black-hands jokes once Larry arrived.postcardsfromspace.tumblr.com Christopher Priest (via assistedrealityinterface) Suddenly I am much more interested in Larry Hama than I was five minutes ago. That guy sounds AWESOME. (via bigfootrock)
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Read the piece and wow that's insane, shocked but not sjprised, cant imagine having to work through that--at a cut too! That's awesome that Larry stood up for him and pushed for better.
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On his FB, Larry just shared a prelaunch link to a new KS he is gonna be doing. Anyone wanting to show some support, this seems an easy way to do it. Follow the project, share it and give if you can. He's putting in work during a tough time, lets show up for him. www.kickstarter.com/projects/201...
Coming soon: MOUNTIES VS WEREWOLVES by Larry Hama and Guy Dorian Sr.www.kickstarter.com From G.I. Joe icon Larry Hama, Mountie David Lawrence battles ancient werewolves in the Canadian wilderness in a 48-page debut issue.
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As I watched that recent GI Joe Kickstarter total get larger and larger (it ended at over $3.5 *million*), all I could think was "why isn't one of the stretch goals 'make it so Larry Hama doesn't have to work another day in his life'?"
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Jesus f@#$ing Christ - not even a powerhouse of the industry like Larry Hama can retire in good health. Everything's broken 💔
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It’s wild. That Gi Joe KS that just made insane money better give him a fat cut because he’s earned that and more.
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the last of the people with any sense of honor have been gutted from leadership positions in large corporations. They are all run by people think Trump is a model of how a business should be run.
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Disney owns Marvel, and until there was a backlash was handing the GOP hundreds of thousands of dollars a year.
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That's what I was saying too.
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Oh bloody hell. I was aware he wasn't doing well, but had no idea it was this bad. Larry Hama ought to be living a life at least as good as that cartoonist in the "Out of the way, you swine! A cartoonist is coming!"
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Yea like I remember reading his response to someone who mailed, asked for...a sketch, like directly to his home address. And in his response mentioned how he can't afford to retire. Which is crazy considering he basically made GI Joe I really hope he got a huge cut from the KS esp all the signing
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My best friend from uni was a very talented illustrator but got diagnosed with a terminal cancer while we were 26. The idea that chemo to prolong his life caused pain that stopped him from drawing was awful, just the ruination of a life. Love to Larry.
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I wish I knew how to help with things like this. He's 75. He should be drawing whatever he wants with the time he has left. He should be a wealthy man. How do I help? I'd give money to a GoFundMe ... but I'd rather find a way to make Marvel, Disney, et al pay him what he deserves.
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Is there a GoFundMe page for Larry?
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I need to look around and see if there is any talk about it. Even stomach the dreaded FB catacombs. If so, I’d easily throw in some money and share.
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I'd be interested in this also. Joe comics were a huge part of my childhood - Hama deserves so much better. If there's some way I can contribute I'd love to help.
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Looking at his FB and seems like he's focusing on the commission method and I hate to say this but knowing the history of aging comic legends, got to hope a gofundme shows up when he's totally unable to draw anymore. What an embarrassing world we live, such a shit show.
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I know all these stories are heartbreaking but man :c
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Maybe I'm just optimistic but maybe he's just explaining that he won't be doing commissions and not that's he struggling financially?
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I hope I’m wrong and he got some money from that GI Joe KS or somewhere else but I remember this post he did not long ago saying he has to work because of the all too normal predatory comics industry. Never too late to make it right but have little faith in corporate comics.
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