Revisiting A Thousand Words: the Eddie Murphy film with a 0% Rotten Tomatoes scorewww.flicks.com.au If this brain-mashingly cheesy film is an indicator of what happens when Murphy stops speaking, I say: let the man talk, and talk, and talk.
Dr Luke Buckmaster
Film & TV critic for The Guardian Australia and Flicks.com.au. PHD in virtual reality. Climate activist.
Creator of Nicolas Cage fan site, The Cage Gauge: https://www.flicks.com.au/cagegauge/
Creator of Nicolas Cage fan site, The Cage Gauge: https://www.flicks.com.au/cagegauge/
Revisiting Invasion of the Body Snatchers, Donald Sutherland's most iconic performancewww.flicks.com.au The late actor was flawless in this feverish sci-fi remake—especially that final shot, “brandished like a hot iron onto our collective psyche.”
The Promised Land movie review: Mads Mikkelsen stars in forcefully entertaining period piecewww.flicks.com.au Director Nikolaj Arcel makes a point that it’s not just the arid Danish land that’s troubled and treacherous: the people also suck.
The Emu War review – wall-to-wall silliness that will make you laugh-out loud, sometimeswww.theguardian.com This viscerally cockamamie comedy maintains enjoyable momentum, even when gun-toting puppet birds begin to attack
The Convert review – Guy Pearce tries to keep the peace in Māori period dramawww.theguardian.com Lee Tamahori captures the might and majesty of Aotearoa in this stately film, with Tioreore Ngatai-Melbourne giving an electric performance
Darkness of Man movie review: a grizzled Van Damme makes this almost-noir workwww.flicks.com.au At a push you could describe Van Damme’s latest as neo-noir: a more accommodating label than the more befitting “B-movie”.
Exposure review – Alice Englert shines in this interesting, if flawed mystery serieswww.theguardian.com It takes a while to feel immersed in this Sydney-set drama, following a woman investigating her friend’s death – but there’s a lot to appreciate here
What’s the best Russell Crowe exorcism movie?www.flicks.com.au Rusty whips out a crucifix in both The Pope’s Exorcist and new horror The Exorcism—which one’s more demonically entertaining?
What’s the best Russell Crowe exorcism movie?www.flicks.com.au Rusty whips out a crucifix in both The Pope’s Exorcist and new horror The Exorcism—which one’s more demonically entertaining?
What’s the best Russell Crowe exorcism movie?www.flicks.com.au Rusty whips out a crucifix in both The Pope’s Exorcist and new horror The Exorcism—which one’s more demonically entertaining?
The Watchers movie review: different Shyamalan, same eerie atmosphere and big twistswww.flicks.com.au I enjoyed the film’s slippery mood; the feeling we’re on uneven ground, about to give way to some higher or lower reality.
Austin review – this funny, big-hearted comedy will leave you wanting another seasonwww.theguardian.com Love on the Spectrum star Michael Theo is wonderful as an autistic man who tracks down his hapless father and his wife
Hit Man movie review: a breezy not-quite assassin movie from Richard Linklaterwww.flicks.com.au It’s a minor work for the veteran director but nevertheless a rock-solid genre subversion; with Glen Powell at full affability.
Eric TV review: Benedict Cumberbatch sees fuzzy monsters in sensationally flawed serieswww.flicks.com.au Any potential humour in this 1980s-set drama gets smothered by a morose tone and sticky, moody aesthetic.
Priscilla, The Bear and Black Barbie: what’s new to streaming in Australia in Junewww.theguardian.com Plus new House of the Dragon, Glen Powell as a fake hit man and a very entertaining new ABC comedy
Why the internet loves Jenny Nicholson’s 4 hour video on the Star Wars hotel – and you will toowww.flicks.com.au The pace of this viral critique is great, many movies feeling far longer than Spectacular Failure’s elephantine 245 minute runtime.
Atlas movie review: J.Lo plays smart scientist in dumb battle with AIwww.flicks.com.au Lines like “you can’t trust any AI” feel clumsy, having no weight or impact; more like expended oxygen than human speech.
Tires TV review: Shane Gillis half-asses this Netflix workplace comedywww.flicks.com.au The show’s biggest problem is not that it’s exhaustingly meatheaded and masculine (which it is) but that it’s not very funny.
Economic damage from climate change six times worse than thought – reportwww.theguardian.com A 1C increase in global temperature leads to a 12% decline in world gross domestic product, researchers have found
Retrospective: 40 years on, the joyfully frisky Amadeus hasn’t aged a daywww.flicks.com.au Miloš Forman’s Oscar-winning classic is no stuffy period piece: sometimes quietly audacious, sometimes loud and strange.
IF movie review: Ryan Reynolds is terribly flat in middling kids filmwww.flicks.com.au John Krasinski shoots for an earnest Spielbergian glow, but arrives somewhere deflatingly twee and saccharine.
The Way, My Way review – a pleasurable walk on the Camino de Santiagowww.theguardian.com Adapted from Bill Bennett’s memoir, this film about his time hiking the 800km trail celebrates life’s simplest pleasures: walking, talking, imbibing
Furiosa movie review: it's no Fury Road - but this beast of a movie delivers the goodswww.flicks.com.au Ready to return to the Wasteland? The highly anticipated new Mad Max movie is a long and bumpy ride,
The Faceless Lady review: classic haunted castle horror - told in 180 VRwww.flicks.com.au Eli Roth produces this scary series, which doesn’t take full advantage of its unique storytelling format.
Kingdom of the Planet of the Apes movie review: a riveting, palate-cleansing rebootwww.flicks.com.au A classic “hero’s journey” arc, the usual impressive mo-cap performances, monkey religion…Apes 4 has it all.
Dark Matter TV review: a rivetingly personal sci-fi that stretches to infinitywww.flicks.com.au Joel Edgerton keeps this Apple TV+ series grounded, without sounding like a vehicle for sci-fi gobbledegook.
Unfrosted movie review: Seinfeld isn't in on the joke in soggy cereal parodywww.flicks.com.au The film’s humour is kind of dad-like, staged with unashamed dagginess. Maybe that’s the problem—a lack of shame.