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One of the things about the classic DC bullet was that it not only looked great on it own, but it was designed to be cropped, to be positioned in a way that it bled off the corner of the covers. I don't know how Milton Glaser came up with that, but I can't recall another logo that did the same...
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...and it anchors the bullet, logo and other trade dress in a really effective way. DC's other circular logos often look good on their own but don't have this particular strength. It was a good logo.
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There were other times it was used fully, and it looked great then, too. Different angle of rotation here, though. I wonder if Glaser intended that, too.
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DC's previous circular logos weren't intended to be cropped...
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...but because covers slipped around on the press and crop positions were (and still are) approximate, they often were.
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I also loved this DC letterhead design, also by Glaser. This is the back of it, so the heroes showed through the paper on the front, where the bullet was of course solid.
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Echoing what others have said. While I don't know crap about marketing and such I feel the bullet was such a perfect icon it's hard for me to believe they just ditched it. I'm sure there were reasons, but that will always be the icon of DC to me.
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If I'm remembering correctly, when they changed it they said they needed a logo that could be animated, for movie/TV use. I don't know if that was the whole story, but I can see easy ways to animate the Glaser bullet, so ¯\_(ツ)_/¯.
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They could have just had the DC part straight and turned it to it's normal position. Animated, focuses your attention to the company initials (and what 99% of the people call the company) and ends with the logo that you want them all familiar with. Problem solved.
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I think they wanted more than that, but that could pretty easily be achieved too.
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Make the border spin a bit!
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It doesn't do any good to tell me -- you have to go back twenty years or so and tell them.
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A logo that makes me genuinely happy just to see it.
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I can't remember where I read—in the past month, even!—that the tilted-bullet logo was not Glaser's #1 preference of the logos he submitted. (Will check back if I recall the source or details.)
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Note that the heroes here are reversed -- Robin's R is on the wrong side, Superman's S is flopped, etc. They're meant to be seen faintly through the front side.
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I think the heroes here are stacked theoretically in order of sturdiness (with Wonder Woman up top because it would be rude to stand on a lady), but if so, Aquaman should really be between Captain Marvel and Batman, I'd think.
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Poor Arthur’s the Rodney Dangerfield of heroes. One of their most iconic characters yet is oft not published. Hope someday we get to see more of your Aqua ideas.
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Thank you for noting this. It was bothering me.
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Bruce's shoulders really hate the lineup. "It's (erk) okay. I'm BATMAN! I (hrrrk) don't know the meaning of pain. (oh god my lumbar discs.)". it's not like he has a severe back injury or anything.
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It is indeed a cool effect...
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And that's quite a stylish signature, too.
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Which befits a manager of quality control...
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Can we see the style guide tho?
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Oooooooo!!!!! This stuff make my nerd brain quiver
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I like the imagery of teamwork behind the scenes.
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my first rejection letter was on this! I was 17 and fascinated by the letterhead.
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It's even more fun when the letter says, "Here's the contract..."
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I was just happy Dick Giordano sent me something
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I do want a collection of every generation of that letterhead (they updated it with the latest popular character at times.)
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Do you know who did the art? I remember thinking at the time it was JLGL inked by Giordano, but it looks like it might be straight-up Giordano...
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Then again, I don't know when that letterhead started, but if it was at the same time as the Bullet, Dick wasn't on staff at the time.
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No idea. This is something where I am more interested than knowledgable. The earliest example I have (of a mere two, one I cannot find) is from 1984 and has that JLA-plus-Big Red Cheese image you show.
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This is the back from DC letterhead going with the next generation of their logo, which they put in the corner rather than center of the front.
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Robin's got a swelled head there. He should check himself.
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I guess around then it would be a big Tim head, which is far better than if it had been done with an earlier generation of Robin.
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I’m getting flashbacks of the rejection letters I got in the 80s that were on this paper. As a teenager I had a pipe dream of being a comic-book writer, and sent DC a bunch of terrible scripts. (Though Dick Giordano did scribble a supportive handwritten note on one of them.)
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I was hoping Snyder was going to include a scene where the JLA recreated this as a thanks to fans. 🙁
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Was Shazam/Captain Marvel of that tier of character back then or is his inclusion kinda weird?
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I don’t know what that means. He was his world’s mightiest mortal and considered an equal to Superman. Also, I believe, a profitable licensing character, who had had his own TV series in recent memory.
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Like popularity wise at the time to be part of the like flagship lineup. I know about the character but not like his impact at the time?
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Those heroes are pretty much all the DC regulars who were on TV in the Seventies plus the Flash. They’re all well-known faces of the time.
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I love how nearly all them are in a power pose to support the tower, while the guy anchoring the whole thing is like “Hey, everyone! I’m Kal!”