Zach

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Zach

@megapolisomancy.bsky.social

Reviews of weird fiction at, among other places, Seize the Press, Strange Horizons, Interzone, and Ancillary Review of Books, where I am also an editor. Also jazz, metal, leftism.
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This is how you do it.
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Right. Always. And that quote is a very pleasant sentence itself, with a very pleasing parenthetical: ‘so much builds up almost imperceptibly through very simple gestures of language and rhythm and repetition and arrangement and velocity’
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It is such a good story, and a very good question (Why is it rhythmically appealing?). This sequence below (and the part you posted above) is amazing
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‘So much of good fiction is intuition, so much builds up almost imperceptibly through very simple gestures of language and rhythm and repetition and arrangement and velocity, that a really excellent story manages to accomplish something without you knowing what it’s doing to you as it does it.’ — BE
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Anyone have any recommended reads, critical and/or analytical, on rhythm in prose?
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Just write something up quickly on body horror, they said, don’t overdo it, I told myself…
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imagine how much great art could have been created if we took a fraction of the money spent on getting computers to make shitty art and gave it to actual artists
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“If The Saint of Bright Doors is an experimental novel in (mostly) conventional storytelling clothing, Rakesfall bares it all, a full-frontal deconstruc­tion of narrative and genre … one of the genre’s most important, most vital voices.” Wonderfully generous review of RAKESFALL in Locus!
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Horror is an affect, inward, incumbent in the body; weird is an ontology, outward, incumbent in the world
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NYC, thank you for being one of the few places where my preferred pedestrian pace is acceptable (a near-sprint)
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Horror is an affect, inward, incumbent in the body; weird is an ontology, outward, incumbent in the world
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I'm hereby calling for a national general strike until someone publishes new work from Kai Ashante Wilson. It can be a collection, a novel, or a new novella, I'm not picky.
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imo there is no being late to this party, there is only keeping the door open to get more people in until we've taken over the block for a week
It's 6pm. I'm still in my pajamas and have done nothing but read The Saint of Bright Doors today. It's unputdownable in a way I haven't experienced before and I love everything about it. (I am late to the party, I know.)
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Update: become IZ’s *69th patron (you get 6 issues of the mag right away, incl. fiction by @authorizedmusings.bsky.social, James Sallis, @carlosnorcia.bsky.social, Rachael Cupp, @aijiang.bsky.social; reviews by @delagar.bsky.social, @gautambhatia88.bsky.social, @megapolisomancy.bsky.social; & more)
If you’re able, become IZ’s 66th monthly patron today and help feed the foundries and power the engines of INTERZONE so it can continue to publish stories as sublime and as satisfying as ‘The Clockwork Heart of Heaven’ by Roby Davies, and not go the way of the dimetrodons interzone.press/patreon
Get more from INTERZONE on Patreoninterzone.press a European magazine publishing fiction & non-fiction
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Ooh, this is a must-read for me!
Over at Strange Horizons, Miles Davis, Robert Aickman, and Brian Evenson walk into a bar… Or, I went long on the fantastic anthology MOONCALVES (ed @basicchunnel.bsky.social) and laid out my thinking on the beauties of weird fiction, open space, and unsettlement.
Mooncalves edited by John W. M. Thompsonstrangehorizons.com Miles Davis, the Prince of Darkness, made his name in the frenetic world of bebop by playing his trumpet as little as possible, emphasizing not a constant stream of notes, but the gaps between them…
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Over at Strange Horizons, Miles Davis, Robert Aickman, and Brian Evenson walk into a bar… Or, I went long on the fantastic anthology MOONCALVES (ed @basicchunnel.bsky.social) and laid out my thinking on the beauties of weird fiction, open space, and unsettlement.
Mooncalves edited by John W. M. Thompsonstrangehorizons.com Miles Davis, the Prince of Darkness, made his name in the frenetic world of bebop by playing his trumpet as little as possible, emphasizing not a constant stream of notes, but the gaps between them…
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Attn @brokenantlermag.bsky.social
I HAVE NEVER WANTED ANYTHING MORE THAN I WANT THIS DEER HEAD SOMEONE POSTED IN THE BAD TAXIDERMY FB ACCOUNT
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And so we beat on, boats against the current, borne back ceaselessly into the corruption of hearts and minds
hope you get a nod if that's the case, and hey if not, glad you're out there corrupting hearts and minds
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when i say i'm "rockin' out," i mean in the sisyphean sense.
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Not sure how to feel about the fact that there are not one but two panels at Necronomicon this year that seem awfully similar to essays I wrote last year
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he just leaves these posts out like honey for weird fic fly people to hover around
What if some brave person were to argue that what we call "weird fiction" today is a result of horror incorporating SF's New Wave into itself (or... vice versa?) and has little to do with HP Lovecraft, Cthulhu, or tentacles
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What if some brave person were to argue that what we call "weird fiction" today is a result of horror incorporating SF's New Wave into itself (or... vice versa?) and has little to do with HP Lovecraft, Cthulhu, or tentacles
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Head's in a negative space today, so let's switch it up and go positive. Top ten cosmic horror/Lovecraftian stories since 2020 you should read, a thread. I'll give mine, chime in with yours.