I'm sorry Tom, yes it isn't why it was a hit, but Sting's voice is very distinctive, this was 2 years after every breath you take, and riffing off "don't stand so close to me" (5 years earlier) was unmissable.
Wut. He starred on one of the most popular sitcoms of the era before working with DeNiro and then getting an OSCAR NOM for Gilbert Grape but sure no one knew he existed
the best way of looking at it was that he was a promising up-and-comer before TITANIC and then he was a Mainstream Superstar, and the two aren't quite the same thing because pre-TITANIC, something like THE BEACH wouldn't have a big opening weekend because Leo was in it
Oh absolutely. Lol. But I'm old as shit. Was young when MFN came out. My brother even older and was feeding me Sting and DS and Stewart Copeland and shit like that when I was in grade school
So the number ones column on stereogum is a good feature written by someone who is way too much of a poptimist, but dear lord the column on “money for nothing” was awful. It was basically like “dire straits was never good, Knopfler hates gay people, and this song is just a music video”
He can write the hell out of a column, genuinely impressed by his copy and storytelling, but I had to peace out on the judgmental mean streak, whatever it’s in service of.